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Baby Boy - the Cuter than Cute Philosophy of a KMV Explained.

6/5/2015

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'Aggressive' and 'Adorable' are NOT Mutually EXCLUSIVE: 

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           High4 is not a band I've been terribly enamored with I loved their debut, but most of what they've done since just hasn't struck my fancy. This one is extremely different; I like it so much that it's even jumped the queue of MVs I should be reviewing! 
           From the moment I first saw it, my only reaction has been "Yep. That's it. We're done here. The most adorable song humanly possible has been produced. We can all go home, now". And that feeling hasn't dissipated at all in the two days I've been watching it while pretending to care about other things. And now I just HAVE to explain the full extent of its intricate weave of imagery, because there's much more than meets the eye to this release and it would be a shame for anyone to miss even the tiniest detail. What seems at first like a mess of contradictions is actually an array of perfectly inter-locking pieces that create a dynamic and accurate depiction of an enchanting reality.
           Kpop has done things were 'cute' and 'gangsta' overlap, there's been other examples of aegyo mixing with straight-up awesome, but nothing else I've ever seen does it quite like this; nor nearly this well. Most other versions of an attitude that resemble this one use aegyo to straightforwardly mix in a dose of adorable, but this release takes that a leap forward by avoiding straight-aegyo, for the most part, and using a more sophisticated weave of more traditional imagery to convey the idea that the object of the narrator's affection is a singular point of exception in his world. Every single detail in the visuals plays off the notions in the lyrics, leading to an achingly cute final product that takes its message more seriously than I would have ever guessed just by glancing at the colorful screencaps.
           It also has something very important in common with Beyonce (but we'll get to that later).

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Just Tell Me - THE (SURPRISINGLY) Sweet PHILOSOPHY OF A KMV EXPLAINED.

5/14/2015

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True Love Is Hard to Define, But It's Pretty Easy to See...

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        With their lovely So Too Very Much release in February, and their March activities in Japan, I wasn't expecting anything new from these guys for a while yet. I've been pleasantly surprised by their Korean return and the release in question is itself absolutely fantastic. And when I say fantastic, I mean FANTASTIC. This is easily going to stand up as one of the very best releases of the entire year, it's going into my history books as one of the most fabulous releases EVER.
          From the set aesthetics and the basic styling, it looks like Just Tell Me can't possibly be anything to terribly spectacular. MYNAME isn't really a band with a track record of deeply meaningful or profoundly impacting releases, so when combined with a concept that looks to be more of the same old, hiphop-grunge-but-still-clubbing-chic that's been flooding the market lately there was really no reason to suspect that this release would be incredible. Honestly, there were a dozen pressing reasons to think this release would be anything but awesome, including the fact that MYNAME has already had a comeback this year, and they've had activities in Japan, so theoretically they haven't had much time to spend on this; not to mention the fact that the concept seems blandly unoriginal and the the Choreo from the teasers has some moves that stand out as painfully frequent instances of recycling moves.
          HOWEVER, to anyone who believed the teasers or who concluded on a cursory examination that it really is just another sex-focused grungy hiphop club thing: YOU GOT PLAYED. The whole thing is one big joke on us and the best part of it is that our expectations were used against us by preparing us for something mediocre, but what they gave us was something FABULOUS. Unfortunately, there are still a ton of people who are taking the release at face-value and as it's easily the best thing MYNAME has ever released, I will not suffer it to be maligned by people who won't give it more than a cursory look to allow the true elegance, sweetness, and complexity to unfold.

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The Peter Pan Mythos; Never Growing Up Means Never Standing Still

12/15/2013

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            This isn't quite Kpop, or even music related, but I personally find Peter Pan terribly interesting and thought I would share. We recently had to write academic articles for publication in one of my college classes (Transmedia Fiction, if you're curious) and one of my articles was on the topic of how Peter Pan's legend has evolved over the years, and how certain parts of his legend have been entirely forgotten:

            Flying effortlessly onto TIME 100’s List of The 100 Most Influential People Who Never Lived, Peter Pan has carved out a slice of History. Generally speaking, the average college student of 2013 is probably most familiar with the Disney’s 1953 animated film Peter Pan, but that is certainly not the original appearance of the Peter Pan character.
            Peter Pan’s very first appearance was a side note in J.M Barrie’s 1902 novel The Little White Bird,which was conceived as a partly whimsical fantasy story and partly comedic social commentary, both with extraordinarily dark undertones. Peter Pan’s story started out as a just a few short chapters (Chapter XIV – XVIII) in the Little White Bird, a section which was later adapted into its own novel (Peter Pan in Kensington Gardens, 1906). The Peter Pan story was transmedia from its very beginning as the very first authorized adaption of the story was Barrie’s 1904 play, Peter and Wendy (which was adapted to take the story back into novel format in 1911, Peter and Wendy).

For the full article, please visit the ENGL359 - Transmedia Fiction Course Blog.
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