A-STYLE | MEDIA MATTERS
  • News & Updates
  • For Patrons!
  • Editorials
  • Reviews
    • My Grading Scale
    • Top Lists
  • Behind the Scenes
    • About
    • FAQ
  • Fan-Works

Be Ok - The Deep Philosophy of a KMV Explained.

7/17/2013

0 Comments

 

And the Award for most Unexpectedly SPECTACULAR  goes to . . .

    I was not expecting this to be as good as it is, really, this blew me away. There's so much build and symbolism that I can hardly contain my excitement for explaining it all! Well, then let's go through this methodically, shall we?
Picture
If you haven't seen it yet, shame on you! Go watch it HERE, go now. I'll wait.
Back? okay, let's get started:
Picture
Picture
Chapter Two, Drums, SooHo Kany

        Here we've got a bluesy thrum with great electric guitar accents, beautiful demonstrations of vocal flexibility, and an elegant swing of rhythm and accents that fill this section out into a gorgeous tune. They don't waste any time with it either. Having already had the guitar introduce it for us, the drums section jumps right into the jazzy throws of it all to give us an echo of the chorus to come.

        The styling here too is gorgeous, more dramatic and flashy than the first section, a classy lounge-singer stepping stone between coffeshop goddess and edgy pop princess. The continuation of the warehouse give continuity, epic notions of reverb, and builds on the idea of being barren inside, maintaining thematic continuity even as it builds up the idea that not everything is gone (as the warehouse is now not empty, being that there is a guitarist, a drummer, a singer, and a whole bunch of music stuff scattered about).

Chapter One, Guitar, Sam Lee

        First off we've got some lovely finger-style guitar, catchy smoothe and soft on the ears in the best way. It's not usually my cup of tea, but even I can peg a great player. And then the vocals slide in and the meter picks up and turns into this gorgeous coffee shop anthem that would have been great on it's own, but then it ends and chapter 2 comes alone.

        Before moving on I have to say, the styling is GORGEOUS and the warehouse is a beautifully thematic choice for the setting (it's the idea of being dark and barren inside after a breakup, just in case you missed that) and I am DYING to know how much of the reverb is authentic capture, because in a place like that . . . oh sweet shisus, it must have been heavenly to hear. And since they are all wired up . . . oh what I wouldn't give to have been there to hear it.
Picture
Picture

Chapter Three, U Sung Eun

    The transition to this one is much longer than the other two, building up anticipation. It's also full of short cuts to things that are filling up the warehouse (the narrator's soul), all of which are hugely symbolic:
Picture
Picture
Picture
<- There's falling chair, the feeling of being unseated, lost, not to mention the notion of table-flip fed up. The comma makes it look like she was fed up the first time.
    The first word we get is three, 3 strikes, 3 chances, whatever it is, it's very clearly over->

<- When we get 'Chapter' we're back in the not-so-empty warehouse, showing that whatever it is that's over, it's left the narrator feeling cold and dark and mostly empty (and definitely lifeless). Then we get a falling rose, and we learn that the thing that's over is Love, a romance that's just barely bloomed has fallen into the dust and there's no going back ->

<- 'U' comes up when we're back inside the main-stage 'soul', alluding to the idea that the empty warehouse, and Chapter Three along with it, IS u ( in that u = you). Then we get a glass of water, water being a source of life, falling to the dust and calling up the idea of life needlessly wasted on a hopeless love ->


Picture
Picture
Picture
Picture
        Black screen "Be Ok" . . . there's a huge range here, does the black scree (and the splatter print) mean to make an implicit 'not'  appear in the mind, or is it that you're in a dark place now, but you will be okay? or again, is it both?
 

Picture
    The fire could be passion, it could be destruction, it could be both, the water could be vodka which makes the fire burn hotter and the passion run out quicker and the destruction spread faster, and the water-vodka question mirrors the notion of is it life wasted (time spent on a lousy lover) or a wasted life (spent in an alcoholic haze after the break up) or is is both?
Picture
        Then we have SeongEun at the table, a crying eye drawing and tattoo gun, a piano fading in and out, the hum of a melody . . . she's playing with her arm and has an oral fixation which could allude to anxiety and self harm or just be planning for her tattoo (since there is a tattoo gun just beside her, though I'm pretty sure I'm not the only one that didn't recognize it immediately), the images brought up connect viscerally to a large number of people who don't give themselves tattoos. Her necklace is a barbed collar and her ring is set inside it, if that's not a beautiful visual metaphor for being trapped in a relationship, I don't know what is...
        Note that we're still only like 20 seconds into chp 3 at this point . . . and my chp 3 explanation word count is getting into the thousands. That's how much meaning is packed into this.
        When the beat kicks in, we see her walking though the dark (as the piano shown earlier comes in with a trill), flicking lights, uncertainty rampant in her movements. We don't see her whole face, but pieces, her eyes looking away, her lips in a confused not-quite-frown, hair sliding over her . . . she isn't a whole person yet, she's been fractured.


Picture
Picture
        Her eyes GLOW at us. Some people have misinterpreted this bit, making it out to be a paltry super-power like in Lc9's MaMaBeat. That is not at ALL what it is. The eye-glow here is a kind of magic, but it's magic in that the eyes are the window to the soul. What happens after she eye-glows at us? Poof. We're in her warehouse soul, with her as a whole person looking at us straight on, and her soul is full of light and life, including the boys of BaeJigi (who look FABULOUS, if I might break into say).
The brilliant musical pause of their exit is a thematic moment of transition: the boys are gone and now what's left inside?
Picture
Picture
Picture
        When she's next playing with her arm, she's drawing on it, so this time it's probably not a self-harm thing. We also get shown the tattoo gun directly, so the conclusion that she's drawing herself a tattoo is reached and a held breath can be exhaled.


        Back to the purple flashy eyes: they're purple for a reason. Purple is the color of royalty, but not by blood, it's royalty by commission, by being chosen to be someone's pretty princess, purple here means that she's still under her ex-lover's thumb, seeing herself as his princess.
        The color changes as the story progresses: to green/gold and blue. Green being life, green being the opposite of purple, gold being intrinsic value (she sees value in herself without needing to have someone else see it in her, the gold one is also the eye that gets the one tear -> it's much more likely that it's her crying for having not valued herself than she is mourning the relationship), and then Blue being water and life and clarity and openness . . . as she comes clean with herself, revises her understanding of who she is, what she wants, and what she's worth.


        In the end, 'be ok' isn't an announcement that she will be okay, it's a command to herself that is okay from this moment on. By giving herself the be okay tattoo she has etched an instruction into her very being.

It's absolutely beautiful.
Picture
Picture
Picture

        The the very last shot (playing to the music box rendition of the tune, bringing up notions of nostalgia and things past), the lost and lonely girl from Chapter 1 crumbling away inside her newly renovated, very bright and very full, soul, being that such fear and insecurity, such whimpering remorse and dependance has no place in her new self-view as a strong and independent woman is is going to be okay.

The whole thing is absolutely breathtaking.
    Stories like this, deep and full and beautiful, are what made me fall in love with kpop. And the song itself, in all it's incarnations is GORGEOUS. The melodic movement building from simple patterns and little trills, the counterpoint and harmony, the movement and evolution of the vocals, the exponential development of meaning . . . aish, it's incredible and it really deserves to be honored by the kpop community.

    Unfortunately a lot of people have been misinterpreting it, so I can only hope that this explanation helps a bit.

    So, did my explanation Help?

Submit

    Questions, Comments, or anything else to Add?

    If you want a response, I need somewhere to send it!
Submit
0 Comments



Leave a Reply.

    Come check out my Patreon Page for the latest updates and insider exclusives!
    If you have Questions about my Terminology, Bias Bands, or any other FAQ click HERE.

    Categories

    All
    Business
    Capitalism
    Ecology & Conservation
    Gender Issues (Fem/Mas/Misc)
    Historical Accuracy
    History Is NOT Your Buddy
    International Media
    Internships
    Mental Health
    Musicianship
    Mv Explanation
    Mythology & Folklore
    Narrative
    Personal Issues
    Philosophy
    Pop-Culture
    Response
    Rookie Groups
    Seoulbeats
    Sexuality Issues
    Shark Week!
    Slavery
    Socio/Geo Politics
    This Is WAR.
    Trainee Systems
    Transmedia
    Triggering & Problematic
    Vampires
    Video Games
    What Makes It Literature?
    Write Life
    Writing Stage: Burnout / Reset
    Year End Assessments

    The name, layout, opinions, and analysis displayed on the Music Matters® website belongs to A-style® and are the intellectual property of Alexandra Swords.

    Archives

    October 2022
    March 2022
    July 2021
    June 2021
    May 2021
    June 2015
    May 2015
    March 2015
    February 2015
    January 2015
    February 2014
    January 2014
    December 2013
    September 2013
    August 2013
    July 2013
    June 2012
    March 2012

    RSS Feed

Powered by Create your own unique website with customizable templates.