Give It To Me is a lovely track. It's smoothe and smoldering and yet excitingly intense with the high-energy piano and strings. The pattern of the bass is refreshing too, after a summer of dance-tracks with bass-on-every-beat-and-only-the-beat. The instrumentation is well spatialized and balanced with the vocals. It's also terribly catchy and the performance of the voices is beautiful. It's a track with a decent shape, but the shape isn't structured to hold much more than attention. As a flashy promo track it's perfect, but it's not the best for listening to independently. And yet there's too much complexity and detail for it to be relegated to BGM. It would make for GREAT workout music.

I give it a 7/10: Me Gusta!

Miss Sistar is bubbly and bright, bringing in the RnB style of smoothness that carries through the concept. The English is fun and the deep voice is great against the girls' sopranos. It's a great and energetic intro.
The Way You Make Me Melt is very relaxed. Geeks' appearance is lovely. It suits the song and the girls' voices very well. The song has a simple structure but not a boring one and it's well balanced. The mix is a bit bass heavy, and as someone addicted to the lower freq levels . . . when I think the bass needs to be turned down it NEEDS to be turned down. It's fabulous music for just chillen in the summer sun.
Bad Boy has a lovely bright toned melody that's fantastically catchy. The song moves very well and the rhythms are wonderfully intricate. The vocals are are all strong and well complimented by the instrumentation.
Summer Time is another bright track, filled with fantastic energy. It's great summer-party music. The song's fun, and catchy, and well balanced, it even moves well, but it lacks a certain spark for me.I can't specify a reason I don't love this track, but I don't. It's a great track and I really like, but I just don't love it.
A Week makes me very happy. It's a nice relaxed track with this subdued energy. It moves well and I really like the rap/soprano interpay in the bridge. The harmonica is a nice touch as well.
Crying makes for a nice ballad, particularly in compliment to Give It To Me. It has a vague sad-show-girl vibe, and good build. The volume increases and the pitch raises and the fill becomes fuller in a very elegant raising of tension.
Hey You has a great Euro-dance/Anthem feel. The intro and the first verse has the vocals mixed a little oddly, they sit very high in the mix. Once it gets into the 1st chorus everything's fine. The chorus is lovely and it contrasts well with the rap verses. The bridge is fun, but I feel like they could have made it a bit more dramatic by cutting more of the instrumentation. I still like it.
If You Want stands as another direct compliment to Give It To Me. It's more lounge-singer and the high synths are a fabulous balance to the more sultry vocals. The piano and the bass lend a great live-venue vibe, and the synths draw in an element of whimsy. The bridge is surprisingly well suited to it's place. All in all, a good track.
Up and Down is breathy and sweet. The bass gets a bit muddled and really feels unnecessary for the most part, annoying background buzz. Other than that the song moves well and is quite fun.

I give them a 6/10: Good Job!

Notes: I was kind of disappointed in the MV. I was hoping for something more suit-porn related. Sure I know they were going for gangster, but you don't have to be a street thug to be a gangster. I was hopping for something like Mob Boss, top dog in high fashion with the tats of earlier days... They gave us a taste of it with the little bursts of story, but not enough.

Overall, the album is great, easily marketable to fan both inside and outside Korea, and it proves that Henry does have what it takes to go solo. I'll forever think of him as part of Super Junior, but still, he can go far on his own.

Also, I think this is one of SM's best releases this year so far. I'm not sure if I'm happy about that, or sad that it's taken them so long to gear up for 2013.

Trap started out beautifully. Right from the get-go, I was happy with it. The classical instrumentation and the street-wise beat go fabulously together. It's a pretty low-key track it doesn't build tension through pacing, but rather through raising the pitch as the song progresses. I like the bridge very much; it's a nice classical overlay that still feels very street-stuck. I even like Taemin and Kyuhyun's brief appearances, their voices wrok very well with Henry's I very much approve of it. I would have liked it better if the MV had told a more complex story. It's a great story telling song. The MV's story was a very basic love-lost thing. I was hoping for something like I Remember (Bang YongGuk & Yang Yoseb).

Ah well, I give it a 6/10: Good Job.

1-4-3 has a nice bounce to it. The build up is also really well done, the melodic line is balanced and cleanly shaped.The song itself is also really cute. 1-4-3 as the number of letters in I-LOVE-YOU and then 4-8-6 as the strokes in 사랑해. It's a good lesson in Korean slang, and an adorable ode to a love with an outsider which definitely appeals to non-Korean fans (like moi). Overall it's a nice upbeat song that isn't upbeat simply because it's fast. I like it.
My Everything is a nice chill, almost campfire sounding song. I love the relaxed vibe of the guitar in contrast to the beat. It builds nicely and balances all the parts, the chorus doesn't explode but instead washes nicely over the listener, especially with the violins and the piano in the background. The English is an interesting add, I've got no complaints with it. All of the transitions have a nice lean-in pick-up of at least two beats and still the transitions are dramatic enough to create solid movement. The bridge is lovely and amps up the tension while taking away instrumentation and distraction (something too rarely done these days). The ending comes up suddenly but in a way that leaves you nicely breathless rather than lost. It's a good solid track.
Ready 2 Love starts with subdued tension that continues to build throughout the piece. It's well spatialized and really makes a listener move. Again it's a low-ish key song, not really all that fast, I'm guessing around 120 bpm, but it feels like it's going way faster than that, which give it this wonderfully dizzying feel of tension and mental release when tied to Henry's high-line vocals. Very nicely done, and again the ending comes up quick but not in a bad way.
Holiday screams vacation in every way most delightfully. It's very fun and light, even with the heavy beat. It's loose and freeing, a great summertime track. The claps and the rapid, loose-toned vocals give it a very organic feel. It speeds up slightly in the choruses and, uniquely, it makes the listener very aware of that fact with short vamps just beforehand. The double-bridge sort of thing is very nice, and quite unique. And the song calls to what everyone is thinking about, their stresses and how they need to just get away. It's a good track and very easy to relate to.
I Would shows off Henry's piano and violin skills beautifully, both playing and composition. It also brings out the unique smokiness  of his voice, it's not quite rough, but it's on the tight and definitely not the typical solo-ballad-singer voice. It is very nice to listen to though. The English is a nice touch too, this whole album has been very cleverly geared towards international fans.This song is well structured and well balanced, and just nice to listen to.

Overall, I give these tracks an 8/10: Fabulous!

Be My Shine is synth heavy, it really doesn't need as much as it has the ostinato pattern either fades away into the backdrop or just gets annoying depending on how you listen. It doesn't change position, it doesn't spatialize, it's just there. Other than that the song is lovely and bright, it has a nice energy from the Melody alone and the beat lends it a feel of urgency. The synths are great in the bridge, but only if you haven't grown to hate them by then.
Dance Dance Dance, as I've said before, is one of the few fusions of cute energy and vibrant power that Boyfriend is likely capable of putting out. There's only a very fine line to walk between the two concepts and they've tried and failed a few times, but they've also hit it right on the mark a few times too. This leans a bit towards using the dance-y synths to push an infusion of energy, but still.
My Lady is sweet and energetic, very suitable for a drama OST or general BGM. It has good shape, but no spark to keep me listening as it progresses.
Hitomi no Melody is a sweet, soft-toned song, even with the introduction of heavy bass. Prototypical of boyfriend, and nothing unique in the world of cutesy boybands.

I give them a 4/10: Meh, Not Bad

Code Name; Spy Get Love is a cool intro song, very dramatic. Totally misleading though, there's nothing in the rest of the album to justify it being the 1st track. Even Dangerous & Supernatrual are nothing like it. I LOVE it and there SHOULD be many more tracks like this on future Boyfriend releases. It's still a bit rough, because they've never done anything like it before, but it still has solid energy and melodic movement. A little too much autotune, and a little too much synth overlay, but still pretty good.
First Kiss starts off cool and quirky. It jumps pretty quickly into fairly typical cute-group music and the vamp it samples is a) way over used, and b) totally not suitable for this song. The chorus is lovely and light, but without the rest of the song pulling it's own weight, it falls fairly flat.
Party Plane is nice and bright. It's elegantly built, the transitions are lovely, and it's fabulously catchy. As a whole it has a great energy and it moves well. The bridge seems pretty unnecessary, but it's a cute bit of Engrish. The last few choruses build nicely and the ending comes up with expectations, but it ends on an upbeat, not a downbeat, so it only gets half points.
Supernatural is what I've wanted ever since their water floor teaser way back when. Boyfriend, their cute concept aside, are really good at this sort of aggressive thing. I'd love it if more 'flowerboy' groups went for an aggressive angle. You don't have to be stereotypically manly to have some powerful moves. The song itself is only okay, it's not very well balanced, but I like it conceptually.
Dangerous has some more dramatic elements in it. This is the sort of song I want to hear more of from Boyfriend, they're good at it. There's still the higher pitched aspect that trends towards cutesy, but there's an undercurrent of anxiety and energy that they could really utilize more.
My I is cute, very energetic. Catchy and melodically vibrant, it moves very well.The transitions float lightly together and the piano gives it a chipper and elegant vibe. It's definitely a great song.
Waikiki sounds like a wintertime beach vacation, it has elements of Christmas music and elements of beach-y fluff. It seems like its trying to be too many different things at once, because there's also elements of summer-time relaxation jam and summer-time party-anthem. I like the pitch-bending in the bass, but it doesn't actually feel necessary, it's just a bit neat.

I give them a 4/10: Meh, Not Bad.