A-STYLE | MEDIA MATTERS
  • News & Updates
  • For Patrons!
  • Editorials
  • Reviews
    • My Grading Scale
    • Top Lists
  • Behind the Scenes
    • About
    • FAQ
  • Fan-Works

CLC - Pepe (MV Review)

3/31/2015

0 Comments

 

Cute, Classy, and Very Cool.

          "Crystal Clear" is an odd name to condense to CLC, but whatever, it's certainly not the strangest name in Kpop. CLC is a good, easy to remember, roll-off-the-tongue kind of name, so it works. I think this group has a great chance of success for many reasons, starting off with the fact that the classy-cute but full of attitude vibe suits the generalized production vibe of CUBE Entertainment. A-Pink deviates significantly from the party line expected from a CUBE artist so I'm not surprised that their cutesy debut came very close to flopping. They've since recovered beautifully, but it was a worrisome situation. BtoB was fell into line more with A-Pink than with Beast or 4 Minute and they've never been used to their full potential. CLC is much more what I would have expected from a Cute Concept Group from CUBE than anything else they've orchestrated.
           There's plenty of aegyo and innocence and high smoothe vocals, but there's also a lot of sass and synth overlay that add energy and interest to the whole release. It's pop-y and peppy and perfectly cute, while being sharp synthed and pumped with bright energy enough to show off an undercurrent of aggressive confidence, the sort that comes from a self-awareness of being awesome. The sassy-ass hair-flips are the prime example, being sudden sharp movements laced within the sugary-sweet oohs and aahs and smooth 'shy' shoulder shrugs. The track itself back up the attitude-but-adorable vibe, being filled with sweet high notes carried off by strong, full-bodied vocals that haven't been squished by cute-i-fication. The backing instrumentals are quirky and set at a nice mid-level that keeps the baseline feeling light, but still allows the high notes to shine as quite a stretch.
            The video is fabulous, on all counts. The visuals of the settings are unique and identifiable without being so bizarre that they don't mesh with the rest of the genre. The styling is classy and cutesy, the sports-wear being off-set by pastel pinks for cute-ness, and skin-tight elements in classic black that bring in the sexy and sensual while still being somewhat reserved and the non-coordinate sports-wear is off-set by the aegyo-acting. The classy little-black-dress outfits are off-set by the fluffy skirts, the pale-paneling, and the adorable cheerleader ponytails. The choreography is flawless, paired perfectly with the flow of the track, meshed well into the styling, and captured perfectly by the camera's movements. There's enough glamour shots to start learning the differences between the the members and then at the end the helpful snapshots allow us to put names to the faces we've begun to learn. I like how the names come at the end rather than the beginning (like in many debut MVs) because in the beginning, I don't know the differences in the faces well enough to able to identify them as the video progresses. But after watching them for a few minutes? The names actually stick.
              All in all, this is a fantastic release and a fabulous debut. I'm delighted with what they've got right now and I'm excited about their release prospects for the future.

I Give It an 8/10: Fabulous!

Picture
0 Comments

NS Yoon-G - Wifey (MV Review)

3/30/2015

0 Comments

 

Sweet and Colorful

           NS Yoon-G's provided a plethora of bright and distinct concepts over the years and this release certainly lives up to that reputation in a lot of ways. In terms of 2015 Kpop, the track's vaguely hollow vibe is rather unusual, but it brings up a deep nostalgia for mid-2000's western R&B. I enjoy the chill feel that the slower-paced and wider-spaced instrumental elements bring to the table (even despite their being uncomfortably close to those in Jennifer Lopez's "I'm Real"). Yoon-G's voice is light and airy, and more than fluid enough to make the chill track hum with a lowkey energy. The styling is lovely, though it's quite the standardized uniform of generic Kpop at the point with no particularly memorable elements.The choreography is simple and fun, suiting the song's movements quite well and providing for a lovely visual distinction from the glamour shots. The whole release is quite enjoyable.
            It's not particularly catching or revolutionary, but it's quite pleasant and a fairly solid release.

I Give it a 5/10: Pretty Good.

Picture
0 Comments

SugarBowl & Soulights - Miss (MV Review)

3/28/2015

0 Comments

 

Unexpectedly Adorable!

          I am not typically a huge fan of the indie genre, but sometimes gems like this are produced. It's an adorable video showing, with sugary-sweet lyrics, depicting a very cute story of an on-again-off-again relationship that is very easy to relate to for anyone who had ever been in any sort of relationship. They're aspects of the other that are just unbearable, pieces of them that are so frustrating you don't think you'll ever get over them, but having fallen in love for a reason, sometimes the important bits surface again, irresistibly. 
           The track is a relaxed jazzy thing with a perfect blend of low-key background instrumentation and complicated vocal rhythms. The voices complement well, and they use of each voice in their respective layers, splitting apart in moments of frustration and then coming together in moments of cute reconciliation, fleshes out the visual of the story in a wonderfully straightforward manner. It's a delightful little track, with an adorable and well-produced music video; a release that I'm very glad to have found.

I Give it a 7/10: Me Gusta.

Picture
0 Comments

Minah - I Am A Woman Too (MV Review)

3/22/2015

0 Comments

 

Visually Impressive

           Girl's Day has been a great group, and it's fabulous to see Minah being allowed to hop on the Solo Debut band wagon. This track is not my favorite girl group release this season, but visually the MV makes up for a lot. The depiction of Minah dressed in glamorous, clean fashions while surrounded by settings of domestic decay give a visual breakdown of the relationship: Minah still values herself, even when her partner doesn't (which is important and unique in pre-break-up tracks). It seems for a moment, when the suitcase visual briefly comes into play, that Minah values herself enough to leave her partner, but unfortunately, the lyrics counteract that idea directly she essentially sells out to the rationales of an abusive relationship with a full blown sweep of battered woman syndrome: only remembering the good things, repeating the phrase 'I love You' until it's an ingrained habit, etc. It's especially unfortunate, because that terrible part of the lyrics corresponds to the best part of the track.
              Most of the song is bland. Minah's voice is gorgeous, but it's usage here is narrow (to the point of being more or less within the same octave even) and less than impressive, both in terms of flexibility and power (neither of which Minah's voice is lacking). Rhythmically, the track is quite impressive, and the catchiness is definitely in how the syllables fold neatly together and roll gently over themselves as they tumble along with the smooth progression of the backing track. The track doesn't evolve at all until the sudden change in the bridge, and it hardly move so much as circles until that point either. At the transition, Minah's voice gains a ton more power and picks up with energy far beyond anything else displayed in the song. It's kind of tragic that the worst lyrics get the best part of the song... And the choreography, is interesting, but it's pretty generic and rather less that suited to the lyrics, other than the few moments in the beginning with the counting on fingers bit. It's still a solid release and I'm even thought I'm not thrilled by it, I am satisfied.

I Give It A 5/10: Pretty Good.

Picture
0 Comments

Red Velvet - Ice Cream Cake

3/21/2015

0 Comments

 

Part Two: Still Interesting, Still Not Impressive...

           Automatic's base problems continue in Ice Cream Cake. This one has the additional problem of being achingly similar to B1A4's Solo Day... I wouldn't consider it truly plagiarized, but the aesthetic is just too similar to discount. They're not achieving the same effect, but with Solo Day only being a few seasons old... it just seems like another of SM's shortcuts. Which isn't criminal exactly, but is certainly not admirable.
          On it's own, Ice Cream Cake is quite lovely. I like the tie to the red velvet cake that comes up at the sound of the band's name, and the song itself is fairly good. There's a delightfully eerie cutesy-ness to it that I deeply enjoy. It's a nicely rounded song that moves fairly well and it's quite catchy. I like it much better than I do the Red Velvet tracks I've heard. The music-box element is especially delightful. I like the styling and the choreography, insofar as I can like anything generic. It has a cool twist of imagery though, juxtaposing the sweet charm of the visual against the track's eerie cant. The overt sexiness laced within the 'cute' imagery gives the visuals the same eerie feel as the track has. I enjoy that, though I'm not sure it's really what SM was going for. The only social comment I can pull out of it is that it's creepy as hell to sexualize little girls, and equally creepy to infantilize grown women, both of which are things that SM has never seemed to have any sort of problem with... So I'm at a loss.
          In short, the MV is full of recycled material and packed full of a vague, artsy ambiance that seems to be more akin to what SM has attempted to promote f(x) with (which is yet another slight against Red Velvet's sunbaes that SM is forcing them to commit). The ending is abrupt, and jarringly dissonant in a way that lacks a satisfying cadence. It's a catchy track with strong choreo, so I count it as a solid release.

I Give it a 6/10: Good Job.

Picture
0 Comments

Red Velvet - Automatic (MV Review)

3/20/2015

0 Comments

 

It's Certainly Interesting...

           Red Velvet hasn't had the best series of first impressions on me. Their previous release was okay but the girls were startling in how similar they looked to each other. Having all of them go blonde for this release was definitely not a wise decision on SM's part (honestly, I think it would have been really cool if this 'group' was actually all one girl, just pretending to be four, now five, different people). Also, the addition of Yeri so recently after a debut... it's not something I approve of. They should have at least had a year as four before SM began messing with the dynamics. And on a similar note... it's atrociously unfair that Red Velvet has an official fanclub name while poor f(x) has been waiting for SIX YEARS. f(x) is a far superior group to Red Velvet on all counts, which should be a comment of no offense to the rookies. Red Velvet simply has done nothing to deserve the special treatment they're receiving and I disapprove. Highly.
           In regards to their recent release, Automatic is actually worthy of attention. It's a nice an jazzy low-key track with a smooth sweep of sounds that envelop the listener. It moves well and but it doesn't evolve over the course of the track, and none of the movement is profound or resonant in any way. It doesn't show off the girls' vocal capabilities, but I will admit to enjoying the whispery quality of the vocal lines in reference to the instrumental. Power vocals probably wouldn't sit nicely here anyway. 
          I like the music video, over all. Outside of the whole they're-all-blonde thing, the styling is gorgeous. The Choreography is fun and quite well-suited to the track. The vibe of the music video as a whole is awesome and quite unique, like a musical theater sort of aesthetic which is fantastic. I also like the visual ties to their next MV, Ice Cream Cake, via the car and such. It is a wonderful connection, but it's only a dressing rather than a significant basis for assessment. All in all, I do like it. I don't love it, but I do like it.

I Give it A 5/10: Pretty Good.

Picture
0 Comments

Ga In - Paradise Lost (MV Review)

3/19/2015

0 Comments

 

Gripping and Gorgeous, as Always.

           GaIn is widely regarded as on of Kpop's high queens and she has every right to such a title. With Paradise Lost GaIn continues to show that she's a sex-goddess worthy of adoration. Personally, I'm a bit glad that she exchanged the overt, graphic sexiness of last year's Fxxk U, for a more metaphoric version. The depiction of the temptations of Eve is wonderful, and the producers have explained their reasoning for a lot of the wonderful imagery included in video. However, their explanations confuse me a bit because if what they were going for was the strong-willed, shaker-of-the-Heavens vibe... they could have used Lilith instead of Eve... (Lilith was Adam's 1st wife, the one that refused to lie beneath him). Admittedly, Milton's Eve from the epic poem, is spiteful and vindictive and actively attempting to undermine the Natural Order, which makes for a more dramatic story, but I think the Eve depicted in the MV is softer than than, more desperate than aggressive; a needy thirst for knowledge rather than an acute desire to destroy her own reality. Even Paradise can feel like a cage if it's painted in the right light...
             GaIn as Eve breaks free of her cage, and then tempts Adam to follow her. It's wonderfully depicted in how a snake appears above GaIn in the beginning and then in the black & white solo-scene she's in an outfit that is highly reminiscent of scale and her maneuvers are extraordinarily snake-like (and presented in direct correlation to a snake-shot), indicating that she she herself has become Adam's adder of temptation. The black and white inversion sequence is not only an awesome sequence, but is shows a stunningly demonstrative example of how heaven and hell and right and wrong can be jumbled up when portrayed at certain slants. The naked, groveling men are both reaching out with carnal desires and also bowing before the greatness of GaIn's diamond clothing, which is valuable and gorgeous in a way that people trapped in Paradise could never comprehend. It's a GOREGOUS mv.
               The song is incredibly powerful, to just top off the amazingness of this release. It's well balanced and beautifully spatialized and gorgeously aching. GaIn can pour emotions into her voice, too many to name all at once in a delicate balance that draws on a fantastic sense inner-power and absolute desperation in the same breath. It's an almost magical vocal quality and the constrained energy of it it caps off every track GaIn's ever been a part of. The evolution of the track is directly complimented by the evolving visuals, making the complete release far superior to either the track or the MV on it's own. It's a beautifully done release and I bow before the queen.

I Give It a 9/10: Blissful!

Picture
0 Comments

Madtown - New World (MV Review)

3/19/2015

0 Comments

 

Cool and Catchy.

           My first thought? It's not nearly as good as "YOLO"... My second thought wasn't much more flattering: it was the thought that the vocals are being oddly buried in the mix and the annoying circus trill was obnoxiously brought up to drown everything else out. And the mix is weirder than just that, there's so much sub-bass that normal speakers aren't designed to handle, and it's louder than it should be too (almost blew out my speakers the first time  listened to it)... It's great for a club mix or something, but it's odd in a promotional track. This track is pretty good in headphones, nicely spatialized and layered with interest and with each aspect given sufficient room to breathe, but on regular mid-quality speakers it sounds like a mess...
           They managed to mostly correct some of what made me not love Yolo right off the bat by giving us music in the music video without making us wait too long (20 seconds as opposed to over a minute), but New World still didn't quite zing off the screen for me. The styling was cool, but very standard, the choreo was exactly the same, cool for what it was, but pretty much par for the course. The set aesthetics were pretty awesome, but that's not really enough to make the MV amazing. I liked the song's message, it's very nice to see the rap-style aggression focused on something other than controlling a lover. It's also just nice to see songs about clawing your way up in the world, because it's a cause very near and dear to my heart (especially at the moment, considering I've just graduated college and am facing brick-walls of opposition beyond which theoretically lies opportunity). 
          Anyway, I like the song and the MV is visually attractive. It's not revolutionary or anything, and I'm fairly certain that my enjoyment of YOLO is coloring my interpretation of New World, but New World is a fairly solid release all on it's own. It's just not the spectacular one I was hoping for.

I Give it a 6/10: Good Job.

Picture
0 Comments

Stellar - Fool (MV Review)

3/14/2015

0 Comments

 

Cute, but colorless...

          Whitewashing is a chronic problem in Korea and it's very apparent here that over exposure and diluted levels of contrast are being put in play. There's so much opportunity for a release like this to be bright and colorful, and unfortunately it's been over exposed until the brightness overwhelms all other aspects. The first time I watched I I couldn't even pay attention to the track because the visuals were dull and lifeless, even though the girls were super cute. The dull visuals and the slow start to the music tricked my mind into thinking that the song itself was dull. Low saturation levels is one effect that I've always found tiresome and it's unfortunate that it's so popular.
          That aside, this is a fairly solid release. The song is slow but solid, it's well rounded and nice on the ears. It doesn't evolve very far, but it moves well enough. It's a nice jazzy tune that's got enough energy to be interesting but not so much that it demands attention; refreshing in some ways, certainly. The styling, other than the whitewashing is okay. They look very cute indeed, though I'm a bit put off by the fairly voyeuristic slides of sexiness that border on inappropriate observation... like staring at a sleeping girl's ass, or watching the stretch of impressive flexibility at 2:00 from quite that close up... it's jarring and certainly off-putting for me. I'm not against female sexuality, or of women being sexualized by observers, I'd just like it to be represented as something they're aware of... And the direct comment of how they know they get called out on over sexualization was interesting, and it made the rest of the sexiness make sense. And I love how it's literally the 200lbs Gorilla in the room, very clever. Still, it's just not my favorite. I do enjoy the choreography at the end and I love the projector of trying on clothes idea, that one's always fun. Overall, it's fairly good, but there is a lot I would change and I just don't like it terribly much.

I Give it a 5/10: Good Job.

Picture
0 Comments

Boyfriend - Bounce (MV Review)

3/13/2015

0 Comments

 

Charming  & Whimsical

            I've been loving all of Boyfriends recent fairy tale releases, from Peter Pan with *Obsession* to *Witch* to this delightful depiction of Alice in Wonderland. This version of the classic tale is awesome because it features Alice as the instigator rather than the passive victim. Our Alice enters the scene draped in red, a monastic mantra playing behind her. Whether this image is supposed to depict her as a monk or as a religious sacrifice, it's an image our Alice rejects by whipping off her cloak and revealing her true self. We see her sitting at a table, a bubbling brew beside her and an unopened book set before her while she decides what she wants her reality to be. We zip into the world of the book, to Alice's imagination, to find that everything is frozen, waiting for a thought to kickstart it. Throughout the MV, we see Alice holding the book in deep consideration, we see her gambling with a leap of creativity, and drawing herself ever-closer to the white rabbit. The world inside the the book, specifically the tea-part scene, only comes to life (outside of choreography) when Alice willingly enters the book herself. She holds the clock, controlling time's progression there (much like how things can only happen in your imagination while you're actively thinking about them). She drags everyone else into the rabbit hole with her and leaves them trying to find their own way out of the world she's built for him... it's all wonderfully topsy-turvy.
         I LOVE the styling. We've got a gorgeous Hatter, and perfect twins to play the Tweedle Two. There's a lovely toy soldier for the Queen's army, too. The 'male alice' that I've seen Hyunseong reported as doesn't make sense to me, but seeing him as a chesspiece does; as a chesspiece he'd be an integral part of the world, a part of Alice. Perhaps he could be analyzed as a depiction of her desires in a significant other, that would explain the blue shirt rather well, certainly better than the idea that he's Gender-bent-Alice (while original-Alice is a present character). And Donghyun as the white rabbit also doesn't make sense to me. I see him as either the Cheshire Cat or the March Hare, both of which traditionally provide counsel and guidance that proves rather less than helpful. I personally would lean towards the March Hare because the original depiction of that character comes from the phrase "Mad as a March hare" which adds a sexual connotation to their interactions that is complimented by the visuals depicted (bunnies have always been thought of as busy little breeders people)... I clearly love the character styling, but even more than that, I adore how the hip-hop and military-chic outfits are worked in with flawless blend of fashionable interplay.
            The choreography is gorgeous, and it suits the track extraordinarily well. The track itself is well rounded and balanced between hip-hop charm and synth-y pop fun. It's catchy as hell. The backing sounds are repetitive and so close to crossing the line towards being annoying rather than a decorative compliment to the vocal melody. Nothing in the instrumental is interesting enough to hold its own without the vocals but the vocal melody evolves well enough to mitigate most of my concern. Other than that, this is a slid release and, as always, Boyfriend's concept and styling is spot on. There's lot of visual throws to the 2010 Tim Burton version which I appreciate, and a lot of individual innovation on the styling system. I like it, as a whole.

I Give It An 8/10: Fabulous!

Picture
0 Comments
<<Previous
    If you have Questions about my Terminology, Bias Bands, or any other FAQ click HERE.

    Categories

    All
    100%
    1 The K (Loen Ent)
    2ne1
    2pm
    4 Minute
    9muses
    A6P
    AA (Double A)
    Academic
    A Ent Korea
    After School
    Ailee
    A-Jax
    Alice Nine
    AlphaBAT
    Amber
    Amie Kaufman
    AMUSE Inc
    Ann Pachett
    AoA (Ace Of Angels)
    AOMG
    Apink
    Art History
    * Artist Review *
    A-Sketch Ent
    Attack
    Audience: Adult
    Audience: New Adult
    Audience: Young Adult
    Audience: Young Reader
    B1a4
    B2m Ent
    Bangtan Boys
    B.A.P
    Bastarz
    Beast
    Believe Records
    Ben
    Benedict Carey
    Bestie
    B.I.G
    Big Bang
    Big Hit Ent
    Bigstar
    Block B
    BoA
    * Book Review *
    Boyfriend
    Boys Republic
    Brandnewmusic Korea
    Bravesound
    Brown Eyed Girls
    BTL (Beyond The Limit)
    Bugs! Korea
    Bumkey
    C2k Ent
    Can Ent
    C Clown
    C-Clown
    Chrome Ent
    CJ E&M
    CJes
    C-Jes Ent
    Cl
    CLC
    Collabodadi
    Core Contents Media
    *Cover Review*
    Crayon Pop
    CT Ent
    Cube Ent
    Cultural Studies
    Danal Ent
    Debut
    Diaura
    Donghae
    DS Ent
    Dsp Ent
    Dynamic Duo
    Equal Rep: LGBTQ+
    Equal Rep: Varied Gender Presentations
    ESNa
    Eunhyuk
    EXID
    Exo
    F.cuz
    Fiestar
    Fluxus Music
    Flying Dog Ent
    Fnc Ent
    Ft Island
    F(x)
    GaIn
    Galaxy Inc
    G Dragon
    G-Dragon
    General
    Genre: Cultural Studies
    Genre: Dark Fantasy
    Genre: Dystopia
    Genre: Epic Fantasy
    Genre: Fantasy
    Genre: Historical Fiction
    Genre: Literary Fiction
    Genre: Mythology
    Genre: Physics
    Genre: Plain Fiction
    Genre: Realistic Fiction
    Genre: Revisionary History
    Genre: Romance
    Genre: Science
    Genre: SciFi
    Genre: Space Opera
    Genre: Speculative Fiction
    GH Entertainment
    Giriboy
    Girls Day
    Girls Generation (SNSD)
    G.NA
    Gng Productions
    * Graphic Novel / Manga Review *
    Grisha Verse
    H2 Ent
    Happy Tribe Ent
    Henry
    Heo Youngsaeng
    High4
    History
    Hotshot
    House & Home Goods
    Imagine Dragons
    Infinite
    Information
    Instant Records
    Iu
    James Kakalios
    Jang HyunSeung
    Jay Park
    Jellyfish Ent
    Jennifer Armentrout
    Jimin N J.Don
    JinYoung Park (JYP)
    JMS Ent
    Js Ent
    JTM Ent
    J Tune Camp
    Jun HyoSung
    Jyj
    Jyp Ent
    Kahi
    Kang Seungyoon
    Kara
    Key East Ent
    Kim Hyungjun
    Kim Hyunjoong
    Kim Jaejoong
    KO Sound
    Kota
    KT Music
    K.Will
    Lc9
    Led Apple
    Lee Junghyun
    Leigh Bardugo
    Lim Kim
    Lindsey Stirling
    Lion Mascot (สิงโต นำโชค)
    Lunafly
    Madtown
    Mamamoo
    Marie Lu
    Marie Rutkoski
    Mblaq
    Meagan Spooner
    M.I.B
    Minah
    Miss A
    MMO Ent
    Mnet
    Monsta X
    Moonshine
    * Movie / Drama / TV Show Review *
    M.Pire
    Mr. Mr.
    Music K Ent
    * Music Review *
    My First Story
    Myname
    Mystic89 Music
    Nano
    Naomi Novik
    N.A.P Ent
    Neal Stephenson
    Nega Network
    N.Flying
    Nh Media
    Nine Muses
    Non Fiction
    Non-Fiction
    N-Sonic
    NS Yoon G
    NS Yoon-G
    NU'EST
    Odd Eye
    Oh Yeri
    Okdal
    One OK Rock
    Park BoRam
    Pentatonix
    Personal
    Phantom
    Pledis Ent
    Pocket Girls
    Pony Canyon Ent
    Prepix
    * Product Review *
    Psc Ent
    Queen B'z
    Rainbow
    Red Velvet
    Rex. D
    Rise Records
    Romeo
    ~Rookie Debut~
    Sabaa Tahir
    San-E
    Sarah J Maas
    Sean Carroll
    Secret
    Seo InGuk
    Series: Keeper Of The Lost Cities
    Series: Science Comics
    Seungri
    Seven Seasons Ent
    Seventeen
    Shannon Messenger
    Shinee
    SidusHQ
    Simtong Ent
    Sistar
    Skarf
    Sleeping With Sirens
    Sm Ent
    Sony Music & Ent
    Soulights
    Speed
    Spica
    S-Plus Ent
    Ss501
    Stardom Ent
    Star Empire Ent
    Starkim Ent
    Starship Ent
    Star Wars
    Stellar
    Sugarbowl
    SuJu D&E
    Sunmi
    Sunny Hill
    Super Junior
    Swings
    Taeyang
    Tahiti
    T-ARA
    Tasty
    The Ark
    *Theater & Stage Drama Review*
    The Benjamin Ent
    The British Royal Family
    The VIBE Ent
    Timothy Zahn
    Tiny G
    Tnc Ent
    Togeworl
    Top Class Ent
    Top Media
    Topp Dogg
    Toxic
    Ts Ent
    Tvn
    Tvxq
    U-Kiss
    Ulala Session
    UNIQ
    Universal Music
    UP10TION
    Urban Zakapa
    Various Artists
    Vibe: Aeronauts & Punk Diaspora
    * Video Review *
    Vixx
    WA Ent
    Warner Ent
    Wonder Boyz
    Wonder Girls
    Woolim Ent
    Xiah / Junsu
    Xiran Jay Zhao
    Year End Review
    Yedang Ent
    Yg Ent
    Ymc Ent
    YNB Ent.
    YNM Company
    Yuehua Ent
    ZE:A[제국의아이들]
    Z.Hera
    Zico

    Email Me!

    Archives

    December 2022
    November 2022
    July 2022
    April 2022
    March 2022
    July 2021
    June 2021
    May 2021
    September 2015
    August 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    May 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013

    My Tumblr

    RSS Feed

    The name, layout, opinions, analysis, and original media displayed on the Music Matters® website belongs to A-style® and are the intellectual property of Alexandra Swords. 2013©
Powered by Create your own unique website with customizable templates.